EXIT and P+US Launch Starlight Festival at Giza Pyramids With Charlotte de Witte, Michael Bibi

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EXIT festival, in partnership with Venture Lifestyle’s electronic music platform P+US, debuted Starlight Festival on Oct. 9-10 at a site overlooking the Great Pyramids of Giza. The event, which organizers describe as sold out, drew attendees from 114 countries and was billed as the first multi-day, multi-stage electronic music festival staged at the site, and according to the announcement the largest electronic music event there since Jean-Michel Jarre’s 1999 millennium concert.

The lineup was headlined by Charlotte de Witte, who organizers say played her first-ever show in Egypt, alongside Michael Bibi, Adriatique, Indira Paganotto, Enrico Sangiuliano, Vintage Culture, Pete Tong and WhoMadeWho, with more than 60 international and regional artists performing across multiple stages, including EXIT’s No Sleep stage. Production design came from Sila Sveta, the studio behind a number of major global ceremony and concert visuals, which created a light show intended to make the pyramids appear to float above the main stage.

The festival follows EXIT’s relocation of its international touring activity after the Serbia-based event’s public support for student-led protests in the country, according to the announcement. Starlight is scheduled to return Nov. 5-6, 2027, with pre-registration now open.

Based on a press release provided to Music Industry Weekly by Chris Alderton, jukeboxpr.co.uk.

New Wave Veterans Spoons Announce Eighth Studio Album ‘Nightlife’

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Canadian New Wave band Spoons will release their eighth studio album, “Nightlife,” on November 6 via CD, digital download and 180-gram red vinyl. The record marks the band’s first fully independent release, with the group handling all creative decisions themselves for the first time in its four-decade history. The lead single, “Take the World,” is out now.

Formed in Burlington, Ontario in 1980, Spoons built their reputation in the New Wave era with singles including “Nova Heart,” “Romantic Traffic,” “Old Emotions” and “Tell No Lies.” The band’s early albums were produced by figures including John Punter and Nile Rodgers, and their videos received early airplay on MuchMusic. According to the band, “Nightlife” revisits the sound and atmosphere of the “Nova Heart” era with a contemporary perspective.

Spoons say additional tracks from the album, including “Better Late Than Never Did It” and “Doomed,” have already become live favorites ahead of the album’s release.

Based on a press release provided to Music Industry Weekly by Eric Alper, thatericalper.com.

Rebecca Allen Exits Universal Music U.K. After 27 Years

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Rebecca Allen is leaving Universal Music U.K. after a 27-year run at the company. She most recently served as UMG U.K.’s chief artist and strategy officer.

Allen’s tenure included stints as president of both EMI and Decca, two of the major label group’s flagship U.K. imprints. Her departure marks the exit of one of the territory’s most senior label executives.

Read the full story at Billboard.

Spotify Spins Up New Division to Sell Its Internal Software Tools

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Spotify is packaging four of its internal engineering products into a standalone business called Spotify Technology, which it will offer to other companies. The unit brings together tools known internally as Portal, Confidence, Xirp and Spotify for Backstage under a single brand with its own website.

The company describes the new division as an operating system for research and development, suggesting it sees demand among other businesses for the infrastructure Spotify built to manage experimentation, feature rollouts and internal workflows at scale. The move marks a shift for Spotify from pure consumer streaming platform toward also being a vendor of enterprise software.

Read the full story at Music Business Worldwide.

Songwriters Withdraw Sample Lawsuit Against Travis Scott, Sony Music

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A group of songwriters has filed to voluntarily dismiss its lawsuit against Travis Scott and Sony Music over an alleged uncleared sample of the phrase “alright, alright, alright.” The dismissal notice does not disclose whether the parties reached a settlement.

The case’s quiet conclusion leaves unresolved questions about how the dispute was handled behind the scenes, with neither side commenting publicly on terms.

Read the full story at Music Business Worldwide.

Catalog Tracks Gain Ground on Spotify, Squeezing Room for New Hits

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Older recordings are claiming a growing share of listening on Spotify, according to the latest analysis from MBW founder Tim Ingham, making it tougher for new frontline releases to break through.

The trend underscores a structural shift in streaming economics, where catalog depth increasingly outperforms new music in capturing listener attention and playlist placement. For labels and artists banking on new releases to drive revenue, the data points to a more competitive landscape where catalog strength is becoming a bigger factor in commercial success.

Read the full story at Music Business Worldwide.

UK Copyright Tribunal sides with PRS for Music in cinema royalty dispute

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The UK’s Copyright Tribunal has ruled in favour of PRS for Music, approving revisions to its cinema licensing tariff, known as Tariff C. The decision includes a higher royalty rate that cinemas must pay to screen films featuring music from PRS members.

The ruling settles a dispute over how much exhibitors owe for the use of copyrighted music in theatrical releases, reinforcing PRS’s position in negotiations with the cinema sector.

Read the full story at Music Business Worldwide.

Rebecca Allen to Depart UMG UK After 27 Years

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Rebecca Allen is leaving Universal Music Group UK, stepping down from her role as Chief Artist and Strategy Officer after nearly three decades at the company. Allen had only recently moved into the newly created position, having been promoted to the role in December 2025.

Her exit marks the end of a lengthy tenure at Universal, where she held a series of senior positions over the years. UMG has not yet detailed who will take over her responsibilities or what prompted the departure.

Read the full story at Music Business Worldwide.

Kelly Clarkson Escalates War of Words With Brooklyn Store

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Kelly Clarkson has intensified her public dispute with a Brooklyn retailer, accusing the store’s owner of dishonesty in the latest exchange between the two.

The singer’s comments followed earlier friction with the shop and included a pointed remark aimed directly at the owner, suggesting the business itself fares better in her estimation than the person running it.

Read the full story at Billboard.

Nickelback Sets 2027 Australian Tour, First Since 2019

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Nickelback will return to Australia in October 2027, marking the Canadian rock band’s first visit to the country since 2019. The run includes seven dates.

Don Broco will join as support on the trek.

Read the full story at Billboard.