Producer IMOGEN is marking the fifth anniversary of her label Wigs with a new collaborative EP, a run of European anniversary dates and the debut of a new live show. The four-track EP, “Back To The Halcyon,” is a collaboration with Regal86, with each producer contributing two tracks and reworking the other’s material. Lead single “One Night In 1992” is out now, with the full EP arriving October 16.

The anniversary celebrations kick off the same day at Tresor Berlin, with further European dates to be announced in October, according to the announcement. Wigs began as production workshops and parties during the 2021 lockdown before formalizing as a label in 2023, with past releases and events involving artists including DJ Stingray 313, Helena Hauff, Roza Terenzi and Sunil Sharpe.

IMOGEN will also debut her first live show, combining improvised hardware performance with dubplate vinyl, at Gaffe on December 12, with the format set to continue developing into 2027. She has released music on Tresor, Fabric, Mute and Voitax and holds residencies with Tresor and NTS.

Based on a press release provided to Music Industry Weekly by Aoife Lavery | Neighbourhood PR, neighbourhoodpr.com.

Munich duo Schrotthagen will release their third studio album, Neue Welt, on November 27 via Universal Music. The project, made up of composers Giovanni Berg and Dieter Schleip, describes its sound as “cinematic techno,” blending electronic production with film-scoring techniques the pair developed separately before forming the group in 2023.

The new record explores themes of artificial intelligence, social media and dreaming, centered on a concept the duo calls the Dream Machine, in which characters escape into artificial dream worlds while their physical selves deteriorate. It follows 2024’s Sturm und Drang and 2025’s Nostalgie and Traurigkeit, continuing what the band frames as a multi-album conceptual arc moving from freedom and memory toward questions about technology and authenticity.

Schrotthagen will tour Europe this autumn and winter in support of the album, with dates in Zurich, Toulouse, Leipzig, Berlin, Hamburg and a hometown show at Tonhalle München on December 12. According to the announcement, the band has drawn a growing international following, citing more than 924,000 monthly Spotify listeners, and says it is developing a live show with reactive stage and lighting elements inspired by the album’s Dream Machine concept.

Based on a press release provided to Music Industry Weekly by Aoife Lavery | Neighbourhood PR, neighbourhoodpr.com.

Hamilton, Ontario singer-songwriter AOIFE has released a new single, “Johnny,” a track structured as an unsent letter to a former lover. The song was inspired by the film “The Last Letter from Your Lover,” according to the announcement, and blends indie folk with country and rock elements, driven by acoustic guitar, sliding bass lines and electric guitar work from her backing band.

The track was recorded at Hamilton’s Grant Avenue Studio, produced by Andrew Lauzon, co-mixed with Tyler Bruce and mastered by Noah Mintz. AOIFE gained access to the studio after winning The Road to Supercrawl in 2025, a prize that also secured her a spot on the festival’s main stage.

“Johnny” follows AOIFE’s previous single “High” and her debut EP “When All Is Said and Done.” Earlier this year she performed for CBC Music’s Road to the Junos broadcast during Hamilton’s turn hosting the award ceremony, with that set available on CBC Gem and YouTube.

Based on a press release provided to Music Industry Weekly by Eric Alper, thatericalper.com.

Gothic folk artist Kira McSpice will release her new album The House on October 23 via Danger Collective, the third installment in her planned four-part series inspired by her Saturn return, according to the announcement. The 12-track LP was co-produced with Sean Brennan and Tyler Skoglund and recorded at The Granite Church in Redding, Connecticut, a former place of worship now operating as a nonprofit community space.

According to the announcement, the album explores McSpice’s childhood in Harlem, Georgia, drawing on a guided trance session and a subsequent visit to her former family home. She enlisted a choir of friends to sing on the record and incorporated field recordings of ambient sounds, including one segment originally recorded as background noise that was repurposed for the track “Wreckage,” a song about the death of a friend from epilepsy.

McSpice, a classically trained cellist who now performs on guitar and voice, describes the record as an effort to process family trauma and childhood grief through a lens of spirituality and Catholic upbringing. The single “Return” is out September 30 ahead of the full album release.

Based on a press release provided to Music Industry Weekly by Vic Borlando.

Israeli pop star Omer Adam will perform two U.S. arena shows this fall, promoted by Live Nation. He plays Intuit Dome in Inglewood, California on Oct. 29 and Barclays Center in Brooklyn on Nov. 1.

Presale tickets begin Sept. 30 at 10 a.m. local time, with general onsale following Oct. 1 at LiveNation.com. VIP packages, including premium tickets and early venue entry, will also be offered through vipnation.com.

The shows follow Adam’s previous sold-out performance at Madison Square Garden, according to the announcement. His catalog includes the songs “Tel Aviv,” “Modeh Ani” and “Shnei Meshugaim,” and his single “Malkat HaDor” reached No. 1 and ranked among Israel’s most-streamed songs of 2025, per the release. The new show will feature a live band, dancers and video production elements.

Based on a press release provided to Music Industry Weekly by Intuit Dome PR, intuitdome.com.

Nashville duo Burn the Treaty has released “There Was a Time,” a new single the act describes as part of its self-coined “Spooky Roots” style blending Americana, country, folk and rock. The song was written by the duo’s two members, singer/songwriter Morgan Bracy and Scott Carter, and was produced, engineered and mixed by Scott Gerow at Battery Lane Music.

According to the announcement, the track explores themes of cultural disposability and the tension between honoring the past and moving forward, centered on the lyric “I’m a victory flag that knows how to lose.” The recording features Nashville session musicians Brian Allen on bass, Billy Justineau on keyboards and Marcus Finnie on drums, with Gerow also playing guitar and banjo.

Bracy and Carter, who both took extended breaks from music before reconnecting at a gathering in North Carolina’s Nantahala National Forest, later married and formed Burn the Treaty in Nashville. The duo previously released the EP “Sticks and Stones,” produced by Mitch Dane, and has performed at venues including The Bluebird Cafe and 3rd & Lindsley. The single is out via EWOFU Records with distribution through DistroKid, and the pair plan additional singles through 2027 along with a return to the studio with Gerow next spring.

Based on a press release provided to Music Industry Weekly by Christy Walker-Watkins, 3on.e2ma.net.