LATEST ARTICLES

Radiohead Set 2027 Australia and Japan Tour Dates

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Radiohead have announced a 21-date run of shows in Australia and Japan for 2027, marking the band’s first Australian appearances since November 2012 and its first headline dates in Japan since October 2008, though the group played Japan’s Summersonic Festival in 2016.

The tour includes multiple nights at RAC Arena in Perth, Rod Laver Arena in Melbourne and Sydney’s Afterpay Arena in May, followed by shows at GMO Arena in Saitama, Japan, in June. The dates follow a series of European residencies the band played in November and December of the previous year.

Tickets will be available only through registration at radiohead.com, with Frontier Touring handling Australian sales and eplus handling Japan, a measure the announcement says is intended to limit access by scalpers and bots. Registration opened September 7.

Based on a press release provided to Music Industry Weekly by Laura Eldeiry, nastylittleman.com.

Jack The Radio Reworks “Warbirds” for Split 7-Inch With Crenshaw Pentecostal

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Raleigh, N.C. band Jack The Radio has released a reprised recording of “Warbirds,” a track from its 2024 album Under Lonely Light. The new version, recorded live and mixed by Danny Johnson in Raleigh, returns to the darker tone of the song’s earliest demos, according to the band.

The recording anchors a new split 7-inch vinyl release paired with “Till Tomorrow” by Winston-Salem act Crenshaw Pentecostal. Cover art is by George Hage, who said the bands had long wanted to collaborate on a split record and that the down-tempo re-recording of “Warbirds” shaped the cover concept.

The two bands will play release shows together on September 12 at Slim’s in Raleigh as part of Hopscotch Music Festival, and on September 25 at Gas Hill at the Ramkat in Winston-Salem.

Based on a press release provided to Music Industry Weekly by George.

Clarinetist-Conductor Maëla Raoult Releases New Single ‘Mars’

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Maëla Raoult, a French clarinetist, orchestra conductor and music producer, has released a new single titled “Mars” on Azkaban Records. The track is available on digital platforms as well as CD and vinyl, according to the announcement.

The composition draws on space as a theme and features clarinet alongside guitar, electric bass, piano, keyboards, cello and percussion, blending jazz with traditional and Middle Eastern influences. The label describes the piece as built around improvisation and a shifting rhythmic groove, with Raoult’s clarinet and piano taking the lead role.

Raoult, born in Brest in 1990, trained at the Brest Music Conservatory and later studied in Paris and at the Royal Conservatory of Brussels, from which she graduated with distinction in 2014. She has conducted orchestras including the Tokyo Sinfonia, Berlin Sinfonietta, Bordighera Symphony Orchestra and the State Chamber Orchestra of Azerbaijan since transitioning to professional conducting in 2024, according to her biography. She is now based in Belgium.

Based on a press release provided to Music Industry Weekly by Maëla Raoult, maelaclar.org.

Stevie Wonder Announces 50th Anniversary Tour for ‘Songs in the Key of Life’

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Stevie Wonder will tour Europe and North America this fall performing his 1976 album “Songs in the Key of Life” in full, marking the album’s 50th anniversary. The tour, promoted by Live Nation and produced by Wonder Productions, opens Oct. 13 at Utilita Arena Birmingham and includes stops in Paris, Copenhagen, Oslo, Stockholm, Hannover, Cologne, Amsterdam, Dublin, London, Manchester and Glasgow before crossing to North America.

The U.S. leg begins Nov. 19 at Madison Square Garden in New York, with additional dates in Chicago, Washington, D.C. and a two-night stand at Detroit’s Fox Theatre, closing Dec. 19 at the Intuit Dome in Los Angeles.

“Songs in the Key of Life” won Wonder the Grammy for Album of the Year, was certified Diamond and was inducted into the Library of Congress’ National Recording Registry. Presale tickets begin Sept. 9 for Europe and the UK, with general on-sale dates starting Sept. 10 for most of North America, Sept. 11 for Europe and the UK, and Sept. 15 for Detroit.

Based on a press release provided to Music Industry Weekly by Avery Robinson, LiveNation.com.

Tuned Global boosts music ingestion capacity tenfold with AWS, SourceFuse partnership

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Tuned Global has expanded the infrastructure behind its Music Cloud Platform, increasing music ingestion capacity from 2 million to 20 million tracks per day, according to the company. The upgrade, developed with AWS and SourceFuse, is aimed at preparing the platform for AI-enabled music services as catalogue growth accelerates industry-wide.

The company says its platform handles approximately 200 million tracks and powers licensed music experiences globally. According to the announcement, major catalogues that previously took up to two weeks to onboard can now be processed in one to two days.

Tuned Global frames the expansion as part of a broader shift in music-tech infrastructure needs, including processing larger catalogues and rights data while supporting real-time personalization and rightsholder protections as the industry moves toward agentic AI applications.

Based on a press release provided to Music Industry Weekly by Azadeh Williams, azkmedia.com.

Billy Joel Pays Tribute to Early Bandmate Jon Small

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Billy Joel has publicly mourned the death of Jon Small, a musician who played alongside him early in his career, in a tribute posted to social media.

Joel’s statement did not include a cause of death. The two had a long history together dating back to Joel’s pre-fame years, before he became a solo star.

Read the full story at Billboard.

AEG, SeatGeek Urge Court to Reject Live Nation-DOJ Settlement

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AEG and SeatGeek have filed objections asking a federal court to reject the proposed settlement between Live Nation and the Department of Justice, arguing the deal fails to address Ticketmaster’s dominance in ticketing. AEG contends the settlement would entrench rather than dismantle Ticketmaster’s market position.

The companies are pushing for stronger remedies, including a court-ordered sale of Ticketmaster and a prohibition on the long-term exclusive contracts it holds with major concert venues. Their filings signal continued opposition from rivals even as the DOJ and Live Nation attempt to resolve the antitrust case.

Read the full story at Music Business Worldwide.

Tencent Music Prices $1B Bond Offering for Refinancing, Buybacks

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Tencent Music Entertainment has priced a $1 billion bond offering split into two tranches: $500 million in 5.050% senior unsecured notes due 2031 and $500 million in 5.650% senior unsecured notes due 2036.

The company said proceeds will be used to refinance existing debt and fund share buybacks. The offering adds to TME’s capital-markets activity as it manages its balance sheet alongside its streaming and licensing operations in China.

Read the full story at Music Business Worldwide.

AEG Presents Expands Into Germany, Taps Sina Hall to Lead Country Music Push

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AEG Presents has opened a new office in Berlin as part of a broader push into the German live music market, with a specific focus on building out country music programming in the territory.

Sina Hall joins the company as Senior Promoter, moving over from Semmel Concerts. She will report to Adam Wilkes, President and CEO of AEG Presents Europe and Asia-Pacific.

The hire signals AEG’s intent to develop country music as a growth genre in continental Europe, adding to its existing promotion and touring operations across the region.

Read the full story at Music Business Worldwide.

Mattel Names Samantha Juneman Head of Music

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Mattel has hired Samantha Juneman as its new Head of Music, tasking her with turning the toy giant’s music efforts into a more structured commercial and franchise business. Juneman joins from Irving Azoff’s Iconic Artists Group.

The appointment signals Mattel’s ambition to deepen its presence in the music space, building on the licensing and brand-partnership model that has driven recent successes across its toy and entertainment portfolio.

Read the full story at Music Business Worldwide.