LATEST ARTICLES

Fish Hunt Releases New Single Ahead of Third Album “Life”

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New York folk rock project Fish Hunt, led by Lucy Mondello, has released a new single, “Monkey See Monkey Do,” ahead of its third studio album, Life, due October 23 via VHS Records. The song features pianist Tex Patrello and marks Mondello’s first fingerpicking composition, inspired, according to the artist, by her frustration with current U.S. politics.

The album was recorded at VHS Studios in Brooklyn and includes contributions from Melaina Kol, Boone Patrello of Teethe, Joe Taurone of Bruiser and Bicycle, and Dan Poppa of People I Love. An earlier single, the title track “Life,” arrived in August alongside a music video.

Fish Hunt will play a series of shows in New York and Los Angeles this fall, including a September 26 date at Union Pool with Alexalone, Proun and Laveda, and two dates at VHS Studios in October and November alongside Melaina Kol, Chatterton, Tex Patrello and Weatherday.

Based on a press release provided to Music Industry Weekly by Kenzie Davis.

Brookelen Releases ‘Omen’ Video Featuring Jessicka Addams Ahead of Third EP

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Los Angeles indie rock artist brookelen has released “omen,” a single accompanied by a music video featuring Jessicka Addams of Jack Off Jill and Scarling. The track is the latest preview of brookelen’s third EP, “dark side of the sun,” due October 23 via Soliloquy Records.

According to the announcement, the song was written after the artist learned of an ex-boyfriend’s engagement, and explores themes of self-actualization, independence and queerness through witch-rock imagery. The video was shot at Addams’ home in Los Angeles and depicts symbolic imagery including a wedding dress that Addams cuts the artist out of during the video.

The six-track EP was engineered by Claire Morrison, known for her work with Goon, with additional production and mixing by Pearce Gronek, who has worked with Hudson Freeman, Miya Folick and Paper Lady. The project marks brookelen’s first release with Soliloquy Records, an independent Nashville-founded label started in 2025 by Jacob Kolb, following her prior EPs “time to go” and “going, going, gone.”

Based on a press release provided to Music Industry Weekly by Romy Bayhack.

Polyphia Shares Third Single Ahead of New Album, Announces 2027 North American Tour

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Polyphia has released “With Eyes To See,” the third single from its upcoming fifth studio album, “Be Not Afraid,” due October 23 via Rise Records. The track arrives with a music video that the band describes as juxtaposing dreamlike visuals with references to real-world events.

The single follows earlier releases “Can You Feel It” and “Power In The Blood.” The band recorded the new album over 2024 and 2025 across Miami, Los Angeles and Dallas with co-producer RJ Pasin and guitarist Spiro Dussias. Guitarist Tim Henson said the album moves between uplifting and unsettling extremes, adding that some passages still unnerve him on playback.

Polyphia will tour the UK and Europe this November and December with support from Perturbator and RJ Pasin, followed by a North American leg beginning in February 2027 with support acts including Ladrones, RJ Pasin and, on select dates, Intervals. The band’s 2022 album “Remember That You Will Die” reached No. 1 on Billboard’s Top Hard Rock Albums chart and entered the top 40 of the Billboard 200.

Based on a press release provided to Music Industry Weekly by Dayna Travers, bigpicturemediaonline.com.

BandLab Adds Text-Prompt Controls to AutoMix Tool

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BandLab has updated AutoMix, its AI-assisted mixing feature, to let users guide mixes with text instructions in addition to preset genre profiles. The tool analyzes audio and MIDI tracks within a BandLab project and adjusts levels and panning, with creators now able to type direction such as “push vocals forward” or “more space and depth” after selecting from eight genre-based starting points.

According to the company, AutoMix is designed to work on music that already exists rather than generate new material, positioning it as a production aid that handles technical adjustments while leaving creative decisions to the user. The result is meant to serve as a starting point that creators can continue to refine manually.

The update reflects a broader push among music software makers to apply AI to workflow and production tasks rather than composition or generation.

Based on a press release provided to Music Industry Weekly by Meg Banich, rockpaperscissors.biz.

EVEN Taps Josh Remsberg as Head of Commercial Partnerships

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Direct-to-fan platform EVEN has named Josh Remsberg to the newly created role of Head of Commercial Partnerships. He will oversee the company’s commercial relationships with labels, distributors, managers and artist teams, along with ties to merchandise partners and chart-reporting organizations, according to the announcement.

Remsberg joins EVEN from Warner Records, where he served as SVP, Head of Commercial Strategy & Revenue, working across the label’s roster including Zach Bryan, Benson Boone and Teddy Swims. The label says its U.S. revenue and market share grew significantly during his tenure. Earlier in his career, Remsberg spent nearly 20 years at Capitol Music Group and Universal Music Group in commercial strategy and business development roles, and he co-founded management company Art Associates, whose clients have included Mayer Hawthorne and Tuxedo.

EVEN, which launched in April 2024, provides e-commerce, fan-data and payments infrastructure for artists to sell music and experiences directly to fans ahead of streaming release. The company says eligible sales are reported to Luminate for Billboard chart inclusion.

Based on a press release provided to Music Industry Weekly by Carrie Davis, cdconsultingco.com.

G Flip’s ‘Bed On Fire’ Tops Australian Airplay Chart After TV Sync Boost

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G Flip’s “Bed On Fire” has held the top spot on Australia’s airplay chart for two months, a run that traces back to a television sync placement that helped ignite the track’s momentum.

The song has since gained further exposure through a high-profile placement tied to the AFL Grand Final, adding to its commercial run and outperforming other contenders on the chart during its stay at number one.

Read the full story at Billboard.

Spotify Expands Reserved Ticketing With Setlist Playlists and Share Cards

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Spotify is adding new features to Reserved, its in-app ticketing tool, including shareable cards and automatically generated setlist playlists tied to specific shows. The setlist playlists will be available to ticket holders both before and after a concert.

The company is also consolidating Reserved content into a single in-app destination, making it easier for users to find tickets, playlists, and related material tied to their concerts in one place.

The update builds on Spotify’s push to deepen ties between music discovery and live events, giving artists another way to promote shows and keep fans engaged with a concert’s music before and after the date.

Read the full story at Music Business Worldwide.

Spotify Details Integration With Meta’s Muse AI Agent

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Spotify has published details on how its service works within Muse, Meta’s personal AI agent. Users who link their Spotify account to Muse can direct the assistant through conversation to play tracks, save songs and build playlists.

The integration positions Spotify as a backend music source for a third-party conversational AI tool, adding to a growing list of partnerships between streaming platforms and AI agents. It signals continued interest from major streaming services in making their catalogs accessible through voice and chat-based interfaces beyond their own apps.

Read the full story at Music Business Worldwide.

UMG Lawsuit Filing Claims DistroKid Tracks Make Up Over Half of a Major Streamer’s Catalog

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New details have emerged from Universal Music Group’s lawsuit against DistroKid, including a claim that tracks distributed through the DIY platform account for more than half of all songs on one unnamed major streaming service. The figure is being cited as evidence of the scale at which DistroKid has flooded streaming platforms with uploads.

UMG’s suit accuses DistroKid of deceptive trade practices and copyright infringement, alleging the distributor has allowed AI-generated “slop” content onto streaming services in large volumes. The label group argues this practice has diluted catalogs and created problems for rights holders and platforms alike.

The case adds to growing industry scrutiny of DIY distribution services and their role in the surge of AI-generated music appearing on major streaming platforms.

Read the full story at Music Business Worldwide.

LANDR Expands AI Fraud Detection, Cites 95% Drop in Flagged Artificial Streams

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Distribution and music creation platform LANDR has expanded an AI-driven fraud detection system built in partnership with machine learning research lab Mila. The company says the tool has sharply curbed streaming manipulation across its catalog.

According to LANDR, the volume of artificial streams flagged by Spotify for music it distributes fell 95% between the first quarter of 2025 and the second quarter of 2026. The company frames the results as evidence that its machine learning approach can identify and deter fraudulent streaming activity before it affects royalty payouts.

The expansion comes as streaming platforms and distributors face continued pressure to police fraud, with major DSPs including Spotify tightening enforcement against bot-driven plays and other manipulation schemes that dilute royalty pools for legitimate artists.

Read the full story at Music Business Worldwide.