Dylan Gossett Sets 2027 U.S. Headline Tour Behind New Album ‘Ramblin’

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Dylan Gossett has announced U.S. headline tour dates for spring 2027, dubbed “The Ramblin’ Tour,” following the release of his sophomore album, “Ramblin’,” via Big Loud Texas/Mercury Records. Tickets go on sale to the public October 6, with artist and Citi presales beginning October 5.

The Austin, Texas-based singer-songwriter is currently on a co-headlining tour with Charles Wesley Godwin through the end of October, and has recently supported Mumford & Sons and The Red Clay Strays. Gossett is also booked for the 2027 Stagecoach festival and plans headline runs across Australia and New Zealand this fall, followed by Europe and the U.K. early next year.

Gossett’s 2025 debut album, “Westward,” and breakout single “Coal” helped establish him as a rising figure in Texas country and Americana, with “Coal” certified 2x Platinum by the RIAA, according to the announcement. The label says Gossett has sold more than 200,000 headline tickets worldwide and amassed nearly 1.5 billion career streams.

Based on a press release provided to Music Industry Weekly by Genesis Salazar, LiveNation.com.

Rick Nielsen Guitar Collection Heads to Auction, Benefiting St. Jude

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Julien’s Auctions will host a press preview event on October 7 in Nashville featuring Cheap Trick guitarist Rick Nielsen, ahead of an October 24 auction of items from his personal collection. The event, co-hosted with Scott Borchetta and Julian Raymond, will give media a look at highlights from the sale, including a custom 2004 Hamer “Five Neck” guitar that the auction house says is being offered publicly for the first time.

The Rick Nielsen Collection auction, spanning more than five decades of Cheap Trick history, will take place at the Musicians Hall of Fame & Museum in Nashville. Items up for sale include stage-played guitars, wardrobe and awards from Nielsen’s career. According to the announcement, a portion of the proceeds will benefit St. Jude Children’s Research Hospital.

Based on a press release provided to Music Industry Weekly by Michelle G./Missing Piece Group, missingpiecegroup.com.

Jimmy Barnes Covers Rose Tattoo’s ‘Rock ‘n’ Roll Is King’ in Tribute to Angry Anderson

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Jimmy Barnes has released a cover of Rose Tattoo’s “Rock ‘n’ Roll Is King” in honor of Angry Anderson, the band’s frontman, who recently died. The Australian rock veteran recorded his own version of the track as a tribute to Anderson’s legacy.

All proceeds from the release will go to charity. The move continues a long tradition of Australian rock artists paying homage to one another following the loss of a major figure in the country’s music scene.

Read the full story at Billboard.

MBW Breaks Down the Math Behind $8M Streaming Fraud Ahead of Sentencing

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Michael Smith, convicted in the first US criminal case over streaming fraud, is set to be sentenced Tuesday. Prosecutors say Smith used bots to rack up billions of fake streams across platforms including Spotify and Apple Music, generating roughly $8 million in royalties through a scheme that leaned on the pro-rata payout model used by most streaming services.

Music Business Worldwide lays out the arithmetic behind the fraud, showing how a relatively modest stream count per track, spread across tens of thousands of AI-generated songs, could still produce an outsized payout under pro-rata accounting. The outlet also points to a user-centric royalty model, long debated as an alternative to pro-rata, as a structural change that would have significantly blunted the scheme’s profitability.

The case has become a reference point in the industry’s ongoing fight against streaming manipulation, with rights holders and platforms watching the sentencing for signals on how aggressively similar fraud will be prosecuted going forward.

Read the full story at Music Business Worldwide.

Suno CEO Says AI Music Firm Has Passed 2m Subscribers, $300m Revenue

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Suno co-founder and CEO Mikey Shulman says the AI music generation company has surpassed 2 million subscribers and $300 million in revenue, figures he describes as conservative markers of its actual scale. Shulman also addressed the terms of Suno’s recent licensing agreements with Warner Music Group and BMG, outlining what each company receives from the deals.

On regulation, Shulman argued that the absence of settled rules governing AI-generated music is currently beneficial, allowing the technology and industry norms to develop before rigid frameworks are imposed. He also weighed in on who should ultimately be responsible for setting those rules as the sector matures.

Read the full story at Music Business Worldwide.

Funfair Founder Tyler Brown on Why Songwriters Should Share in Master Income

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Tyler Brown, founder of London-based music company Funfair, is making the case that songwriters should take a stake in master income rather than relying solely on publishing royalties. In a new interview, Brown argues that aligning songwriters’ interests with a record’s overall commercial success benefits both sides of the business.

Brown also discussed the value of chasing hits over volume, saying he would prefer a small percentage of a successful record than full ownership of one that fails to connect. He framed the approach as part of a broader philosophy on loyalty and long-term partnerships in songwriting and artist development.

Read the full story at Music Business Worldwide.

Bill Withers’ Publisher Sues UMG, Sony and Kobalt Over Olivia Dean Song

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The publisher behind Bill Withers’ catalogue has filed a copyright infringement lawsuit against Universal Music Group, Sony Music and Kobalt, alleging that Olivia Dean’s track “I’ve Seen It” copies elements of Withers’ 1981 classic “Just the Two of Us.”

According to the complaint, the plaintiff’s representatives reviewed the two songs and reached what they describe as an “obvious and inescapable conclusion” that the Dean track lifted material from the Withers composition. The suit names the major label and publishing entities tied to the release.

The case adds to a steady stream of copyright disputes targeting hit songs and their underlying publishing rights, with plaintiffs increasingly pursuing labels and publishers alongside songwriters.

Read the full story at Music Business Worldwide.

MBW Roundup: Warner’s EMP Divestment, Briegmann’s UMG Promotion Lead Weekly News

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Music Business Worldwide’s latest weekly digest covers Warner Music Group’s move to sell off EMP, the merch and e-commerce business it had acquired, alongside a leadership promotion for Universal Music executive Frank Briegmann.

The roundup compiles the week’s top industry developments, reflecting continued consolidation and executive reshuffling among the major labels.

Read the full story at Music Business Worldwide.

Angus & Julia Stone Score ARIA No. 1 With ‘Karaoke Bar’

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Angus & Julia Stone’s new album “Karaoke Bar” debuted at No. 1 on the ARIA Albums Chart following its Sept. 4 release, according to Blue Music Services, which handled the album’s publicity campaign. The label says the sibling duo is only the third Australian act to top the chart in 2026, with the campaign generating coverage from Billboard, Rolling Stone Australia, The Australian and radio support across ABC, triple j and the Hit Network, among others.

Separately, Bebe Rexha’s single “New Religion,” the lead track from her independent album “DIRTY BLONDE,” reached No. 3 on the AU AirCheck and AU Radiomonitor charts and No. 2 on Shazam Australia following its radio push through Blue Music Services. The label also notes “DIRTY BLONDE” reached No. 1 on the U.S. Dance Radio Chart.

In other campaign news from the PR firm, New Zealand-based artist Fat Papi’s track “FREAKED OUT,” produced by Perth’s Prodshushy, has surpassed 145 million streams and peaked at No. 42 on the ARIA Singles Chart and No. 88 on the Billboard Hot 100, which Blue Music Services says makes him the first Kurdish artist to chart on the Hot 100. Ruel also wrapped a radio campaign for his albums “Kicking My Feet” and “Kicking My Feet & Screaming” with a live set at Nova’s Red Room in Melbourne, which the label says produced two Top 40 singles.

Based on a press release provided to Music Industry Weekly by Blue Music Services, bluemusicservices.com.

Kaitlyn Aurelia Smith releases new album ‘Ruin: It’s Not Just Music’

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Kaitlyn Aurelia Smith has released a new studio album, “Ruin: It’s Not Just Music,” via her own label Someone Special. The record follows four singles released over the summer, starting with “Ruin” in May and continuing with “GTP,” “I Don’t Know What It Is” and “That Is Like You” in September. It is available now digitally, on streaming services and on vinyl.

According to the announcement, the album incorporates breakbeat, jungle and drum and bass influences into Smith’s established compositional style, marking a more rhythm-driven and physical direction than her earlier ambient and orchestral work. Smith describes the project as built around tension and release, calling it in the announcement a form of “sonic combat” intended to create space for catharsis rather than meditative calm.

The release follows a run of live appearances including an orchestral performance at the Barbican, an appearance at Four Tet’s Finsbury Park show and a slot at Björk’s Iceland Echolalia Festival. Smith has upcoming performances scheduled at ATOMIKA Festival in New Mexico, Warehouse Project in Manchester, Berghain in Berlin and fabric in London. Her past collaborators include Patti Smith, Suzanne Ciani, Danny Elfman, Tycho, Caribou and Four Tet, and her work has appeared in projects for Apple, Chanel and the BBC Orchestra, according to the announcement.

Based on a press release provided to Music Industry Weekly by Neil Bainbridge, neighbourhoodpr.com.