Data Shows Harry Styles’ MSG Residency Drawing Fans From Beyond Tri-State Area

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Nearly half of the fan interest in Harry Styles’ 30-show residency at Madison Square Garden is coming from outside the New York, New Jersey and Connecticut area, according to data from Bandsintown. The platform found that 49.4% of RSVP interest across the full run originates outside the tri-state, including 11.5% from international fans, with Pennsylvania, California, Texas, Massachusetts and Florida accounting for nearly 18% of total RSVPs.

The pattern varies by date, Bandsintown says. Opening night skewed more local, with 60.8% of RSVPs coming from the tri-state area. By contrast, the October 31 “Harryween” show is shaping up as a major draw for out-of-town fans, with 61.2% of interest coming from outside the region — the only date in the run where outside interest exceeds local demand, according to the data. Bandsintown reports that date is tracking at roughly three times the RSVP activity and 3.2 times the ticket-click activity of a typical late-October show in the residency.

The October 30 show also ranks as the second-strongest October date by RSVP activity, which Bandsintown says points to elevated interest around the residency’s closing weekend.

Based on a press release provided to Music Industry Weekly by Emily Bender, hustleandco.com.

Survey Finds Majority Support for Modernizing UK Music Education Curriculum

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A survey commissioned by the Night Time Industries Association (NTIA) and Obsurvant found that more than half of Britons say they would have been more interested in continuing music education had modern music production been taught in schools, according to the organizations.

The survey, described as nationally representative, found that 60% of respondents felt school music lessons did not reflect the music they listened to outside the classroom, while 54% said DJing and music production should be recognized as legitimate career paths rather than hobbies. Additionally, 45% said the current curriculum fails to prepare young people for careers in today’s music industry, and 41% said they would have been more likely to pursue music qualifications had electronic music production been offered in school.

NTIA chief executive Michael Kill called for modern music production, electronic music production and contemporary music career pathways to be embedded in the national curriculum, arguing this would help secure the UK’s future talent pipeline. The findings, released as the government considers the future of arts education, were also accompanied by supportive comments from Obsurvant founder Alex Morrison and industry figures including DJ Rap and Jess Izsatt.

Based on a press release provided to Music Industry Weekly by Nikki McNeill, globalpublicity.co.uk.

Amy Speace Releases Poetry Collection ‘The Cardinals’ and Single ‘Days of Letting Go’

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Singer-songwriter Amy Speace has released her debut poetry collection, “The Cardinals,” via Red Hen Press, alongside a new single, “Days of Letting Go,” with an accompanying music video. Both projects tie into her current tour, “The Cardinals: Songs, Stories & Poetry,” which runs into 2027 and mixes performances, readings and conversations at listening rooms, venues and bookstores, including a scheduled appearance at the Southern Festival of Books in Nashville on Oct. 17.

The poetry collection explores themes of marriage, divorce, motherhood and mysticism. The single “Days of Letting Go” grew out of a poem Speace wrote during her MFA thesis work, originally conceived as a persona piece with a male narrator; she said a mentor and a friend, musician Vance Gilbert, encouraged her to turn it into a song. The track was recorded at Skinny Elephant Studio in East Nashville, produced by Neilson Hubbard, and features Doug Lancio on guitars, Lex Price on bass, Hubbard on drums and Danny Mitchell on keys. The video was directed by Duende Visions Productions.

Speace, who was signed to Judy Collins’ label after being discovered by the folk icon, has had her songs recorded by artists including Red Molly and Christine Lavin. Her song “Me and the Ghost of Charlemagne” won International Song of the Year from the American Music Association (UK) in 2020, according to her bio.

Based on a press release provided to Music Industry Weekly by monica@thinkpress.net (thinkpress.net).

Malcolm Todd Launches Sold-Out ‘Do That Again’ Tour in Texas

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Malcolm Todd opened his 38-date North American “Do That Again” tour Tuesday night in Irving, Texas, with a set drawing from his sophomore album alongside earlier singles “Earrings” and “Chest Pain (I Love).” The tour, which is sold out according to the announcement, runs through late October with stops at Radio City Music Hall in New York, The Salt Shed in Chicago and a three-night close at the Greek Theatre in Los Angeles.

The trek follows the release of “Do That Again” on Columbia Records, which the label says debuted at No. 5 on the Billboard 200 with all 13 tracks charting on the U.S. Spotify chart. Todd’s team says the album has generated 277 million global streams since release and that the tour sold more than 145,000 tickets during artist presale, prompting the addition of 11 dates.

Todd, who has RIAA Platinum certifications for “Earrings” and “Chest Pain (I Love),” recently made his debut on “The Tonight Show Starring Jimmy Fallon” and appeared in Gap’s Fall 2026 “Denim on Your Own” campaign with actress Inde Navarrette. He also performed at Outside Lands and Osheaga over the summer.

Based on a press release provided to Music Industry Weekly by Genesis Salazar, LiveNation.com.

Alex Warren’s ‘Wildchild’ Tops ARIA Singles Chart

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Alex Warren has claimed the No. 1 spot on Australia’s ARIA On Replay Singles Chart with “Wildchild.” The chart-topping run comes alongside a notable presence from the late Dolly Parton, who lands multiple titles in the upper reaches of the survey.

Parton’s showing marks a rare podium sweep for the country icon, underscoring her enduring commercial pull following her death. The overlap of a rising pop act at No. 1 with a legacy country star holding down other top spots reflects the eclectic mix currently shaping Australia’s singles chart.

Read the full story at Billboard.

JISOO Returns With Solo Single ‘CLICK’ and Joseph Kahn-Directed Video

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BLACKPINK member JISOO has released “CLICK,” a new solo single that arrives with a music video directed by Joseph Kahn. The clip casts the singer as a cyborg navigating a theme park setting, pairing a futuristic visual concept with an upbeat pop sound.

The release marks the next step in JISOO’s solo career, which she has developed alongside her ongoing work with BLACKPINK.

Read the full story at Billboard.

DEAG Founder Teams With Swiss PE Firm Ufenau to Build €100m Live Entertainment Group

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Peter Schwenkow, founder of German live entertainment company DEAG, is launching a new venture with Swiss private equity firm Ufenau Capital Partners to build a European live and family entertainment group. The plan calls for up to €100 million in equity to fund acquisitions across the sector.

Ufenau will back the initiative as lead investor and majority shareholder. The firm says it is already evaluating potential targets as it looks to consolidate live and family entertainment businesses in Europe.

Read the full story at Music Business Worldwide.

Primary Wave Acquires Stake in Wilson Pickett’s Publishing and Name, Image & Likeness Rights

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Primary Wave has struck a deal with the estate of Wilson Pickett, taking on the late soul singer’s publishing catalog along with his name, image and likeness rights. The company announced the agreement on Wednesday, September 2.

Financial terms of the deal were not disclosed. Pickett, known for hits including “In the Midnight Hour” and “Mustang Sally,” died in 2006, and the deal adds his catalog to Primary Wave’s growing portfolio of legacy music rights.

Read the full story at Music Business Worldwide.

HarbourView Buys David Kershenbaum’s Producer Royalties, Including ‘Fast Car’

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HarbourView Equity Partners has acquired producer royalties belonging to David Kershenbaum, whose catalog includes his production credit on Tracy Chapman’s “Fast Car.” The deal was announced Thursday, September 3, with financial terms undisclosed.

The acquisition adds to HarbourView’s growing catalog holdings as the firm continues its push toward surpassing $4 billion in assets under management. The deal underscores continued investor appetite for producer and songwriter royalty streams tied to enduring hit catalogs.

Read the full story at Music Business Worldwide.

UMG’s Hospitality Division to Launch First UK Hotel on Denmark Street

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Universal Music Group’s hospitality arm, UMusic Hotels, is set to open its first UK property on London’s Denmark Street, a location long associated with the city’s music retail and recording history.

The hotel will mark UMHL’s second location in Europe, following UMusic Hotel Madrid, which remains the only property in the brand’s portfolio currently open. The move signals UMG’s continued push into hospitality as a way to extend its brand beyond recorded music and publishing.

Read the full story at Music Business Worldwide.