aespa launched the American leg of their SYNK: COMPLæXITY world tour with a show at New York’s UBS Arena, marking the K-pop group’s first U.S. date of the run. The setlist mixed the quartet’s biggest hits with reworked arrangements and individual solo segments for each member.

The stop is part of a broader trek that has taken the group across multiple international markets, underscoring the sustained global demand for K-pop arena tours as acts in the genre continue to expand their touring footprint in North America.

Read the full story at Billboard.

Ed Sheeran addressed recent controversy surrounding his tour before performing in Philadelphia, his first concert since openers and a backing band member exited the run. Ahead of the show, Sheeran read a statement acknowledging the Israel-Palestine conflict while attempting to keep his remarks neutral.

The singer went on to describe the Philadelphia performance as the best show of his career, following what has been a turbulent stretch for the tour amid the personnel departures.

Read the full story at Billboard.

John Farnham’s wife and sons say the Australian singer’s health has declined in recent months, according to a family statement issued ahead of an upcoming tribute concert.

The statement did not detail specific medical circumstances but was released as plans for the tribute show move forward. Farnham has faced serious health challenges in recent years.

Read the full story at Billboard.

Caleb Lee Hutchinson has announced his sophomore album, Long Line of Losers, due October 30 via Broke Records. The 12-track project reunites him with producer Titanic Sinclair, who worked on Hutchinson’s 2023 debut, Southern Galactic, and draws on 1970s classic country influences.

The announcement arrives alongside the release of new track “Sadder Days,” which follows previously shared songs “Famous” and “Fast One.” Hutchinson has said “Famous” reflects on his early fame as a teenager and his current perspective at 27, while he has cited artists including Sturgill Simpson, Jamey Johnson and Tyler Childers as influences on his approach to songwriting.

Hutchinson will support the album with a run of tour dates beginning October 14 in Gainesville, Georgia, opening for Craig Morgan, followed by headline stops through December across the South and Southwest, including Charlotte, Austin, Memphis and Atlanta.

Based on a press release provided to Music Industry Weekly by Emily Ginsberg.

Music photographer Scarlet Page will open “Held: Three Decades of Artists and Their Gibson Guitars,” an exhibition of live and portrait photography spanning her career, at Gibson Garage London on Sept. 23. The show runs through February 2027 and features images of Foo Fighters, Alex Turner, Lenny Kravitz, Slash, Robbie Williams, The Cure, AC/DC and Wolf Alice, among others.

The exhibition draws on Page’s archive dating to 1993, including a shot of Jeff Buckley’s 1995 Pyramid Stage performance at Glastonbury, Angus Young supporting the Rolling Stones in 2003, and Alex Turner during Arctic Monkeys’ 2023 Glastonbury set. Page’s early work includes a 1994 Lollapalooza assignment and a photo used for the cover of The Verve’s “A Northern Soul.”

According to the announcement, signed limited-edition prints from the exhibition will be available through RedHouse Originals. Gibson Garage London, which opened as Gibson’s first store outside the U.S., is located on Eastcastle Street and hosts guitars, live performances and other events alongside the retrospective.

Based on a press release provided to Music Industry Weekly by Libby Coffey, primeprgroup.com.

British-American trio Raynes has released “Pure Blue,” the third and final single from their debut album Radio Remind Me, due out October 16. The song was produced by Mat Charley and co-produced by Chris Sclafani, an engineer whose credits include Ed Sheeran, Ariana Grande and The Weeknd, and features accordion, bouzouki and mandolin. The accompanying music video was shot in Bismarck, North Dakota, by Ryan Cory, who has worked with Pearl Jam and Sleater-Kinney.

The band says the track reframes the perspective of The Beach Boys’ “Wouldn’t It Be Nice,” examining whether adulthood lives up to childhood expectations. It follows the single “Roses All Over,” which the band says debuted in the top 40 of Billboard’s Adult Pop Airplay chart and ranked as the fourth most-added song at Hot AC radio.

Raynes, signed to Sony Music Publishing, formed after North Dakota natives Mat Charley and Joe Berger connected with UK singer Mark Race over social media. The group is currently touring North America, with dates continuing into the UK and Europe through late November.

Based on a press release provided to Music Industry Weekly by Beachwood Entertainment Collective.

INTERCONTINEN7AL, the multinational rock project that describes itself as the first band to record music across all seven continents, has released an acoustic remix of “Lighthouses,” a track originally featured on its 2022 record “Volume 3.” The reworked version replaces the original’s electronic bass line with a slide Drop D acoustic guitar riff, softens the drum programming, and adds a new bass part from Poland-based collaborator Marcin Nawrocki, according to the band.

Bandleader Matt Smith began reworking the song in October 2023 after writing the original in 2021 as a minor-key duet about a fading relationship, with vocals contributed by bandmate Becca Drayer. The project grew out of remote sessions among members of the Maryland band Toast during the pandemic and has since expanded to more than 30 musicians across 15 countries, using BandLab’s collaborative tools to record parts from every continent, including two researchers stationed in Antarctica.

The band says it donates all streaming revenue to humanitarian organizations including Stand Up 2 Cancer, Oxfam and Doctors Without Borders. INTERCONTINEN7AL has no touring plans given its remote, continent-spanning structure.

Based on a press release provided to Music Industry Weekly by Eric Alper, thatericalper.com.

MARIS has released her new EP MOSH★PIT, accompanied by an official music video for the focus track “Nothing To Do (nananananana).” The project was co-produced with Dylan Bauld and, according to the announcement, showcases the artist’s diaristic songwriting alongside high-energy pop production.

The release coincides with the announcement of MOSH★PIT: The Tour, a North American headline run that opens October 1 in Portland, Oregon, and wraps November 14 in Los Angeles. Several other artists also issued new music this week through the same distributor, including Rita Wilson’s deluxe edition of “Sound of a Woman,” Matt Lang’s single “Wiggle Pow” ahead of his fourth album, and new tracks from Emily Roman, Davina Azzi and the duo Somewhere In Between.

Based on a press release provided to Music Industry Weekly by Black Box | Alex Nesi, blackbox.la.

Beck released his new album, Ride Lonesome, on Capitol Records on September 18. The album was produced by Beck and mixed by Nigel Godrich, and reunites musicians who worked with him on Sea Change, Morning Phase and Mutations, including Smokey Hormel, Joey Waronker, Justin Meldal-Johnsen, Roger Joseph Manning Jr. and Jason Falkner, recorded at United Studios in Hollywood.

The release is accompanied by a video for the album’s second track, “Run Away,” directed by Mikai Karl and starring actor Tadanobu Asano, set against a Tokyo backdrop. According to the announcement, early reviews from outlets including the Guardian, Mojo, the Wall Street Journal and the New York Times have praised the record.

Beck begins the Ride Lonesome tour on September 22 at the Santa Barbara Bowl, with dates through November 10 at Portland’s Keller Auditorium. The itinerary includes two-night stands at San Francisco’s The Masonic, Toronto’s Massey Hall and Brooklyn Paramount, along with stops at the Greek Theatre in Los Angeles and Red Rocks Amphitheatre. Several dates, including shows in Minneapolis, Brooklyn and Asheville, are listed as sold out, and three West Coast dates were rescheduled from earlier September dates.

Based on a press release provided to Music Industry Weekly by Michele Hug, nastylittleman.com.

Gnarls Barkley, the duo of CeeLo Green and Danger Mouse, have announced their 2026 “To Whom It Still Concerns” tour, a nine-city North American run and their first tour in 18 years. Promoted by Live Nation, the trek opens November 5 at The Masonic in San Francisco and closes November 28 at the House of Blues in Chicago, with stops including Atlanta, Boston and Toronto.

The tour follows the release of “Atlanta,” which the duo describes as their third and final album and their first new project in 18 years. CeeLo Green said the tour explores themes of life and death, calling the songs “the silver lining to an otherwise sad story.”

Tickets go on general sale September 24 via Live Nation, preceded by Citi and Spotify presales beginning September 21 and an artist presale on September 23. Gnarls Barkley’s 2006 debut, “St. Elsewhere,” produced the hit “Crazy,” which topped charts internationally; their second album, “The Odd Couple,” followed in 2008.

Based on a press release provided to Music Industry Weekly by Genesis Salazar, LiveNation.com.